Our goal with Tokyo Scoring Strings is to give you the orchestral string sound featured in so many world-famous Japanese productions. For many of us who have admired Japanese soundtracks for years, this sound has long been a source of inspiration, but it’s been out of reach for most composers outside of Japan - until now. These strengths make Japanese ensembles equally capable of delicate nuance and sweeping emotional performances that move listeners to tears. What makes it so distinctive? Smaller ensembles recorded in focused studio spaces lend themselves to more agile playing, and a focus on perfection leads to incredible accuracy. The sound of Japanese strings is both captivating and highly unique. Incredible agility, stirring vibrato, and enough deeply-sampled playing techniques to realize virtually any score. Recorded in the legendary Sound City Studio by Japan’s top recording engineer, Mitsunori Aizawa. Introducing the distinctive sound of Koichiro Muroya Strings, the top Japanese session string ensemble, heard on countless world-famous anime and game soundtracks. Here is the manual, containing UI screenshots as well.Welcome to our flagship orchestral string library, Tokyo Scoring Strings. I added them in the end, to match 100% my friend's play on the real bouzouki. They are not necessary, the solo would sound just fine without them. īTW, in the first demo, all keyswitches between C and F are manual overrides of course and stroke. In the meantime, feel free to contact me by posting right here, or by email at. I am open to all suggestions and looking into starting a support forum in the coming days. Another example is the forced downstroke velocity threshold, which forces notes that are hit harder than the set value to be played downstroke, allowing a player to play more dynamic riffs, adjusted to his technique and keyboard hardness.Īs I receive feedback, I'm sure that many good ideas will pop up and find their way into updates. As an example, the Fast/Slow positioning threshold defines the time interval that is the switch point between slow-played and fast-played riffs, in effect deciding if a note will be played at the easiest/cleanest fret/course (low fret/high course) or within the left-hand grip range (close to the fret of the previous note). For this reason, in the Settings view of the user interface I have included a number of threshold controls that adjust the automatic play parameters to the player's/performance's needs. Thanks for the feedback - and very nice to hear that you like the sound of the a keyboard player I totally agree, it is important to be able to play an instrument directly/intuitively. It is available for download at More demos Priceīouzouki 8-String Acoustic costs 49 EUR. Kontakt v4.1.1 or higher is required (full-retail version).
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